{"id":1242,"date":"2017-09-07T09:00:48","date_gmt":"2017-09-07T13:00:48","guid":{"rendered":"http:\/\/www.silvercentury.org\/2017\/09\/the-shadow-box-2\/"},"modified":"2018-06-30T09:48:41","modified_gmt":"2018-06-30T13:48:41","slug":"the-shadow-box-2","status":"publish","type":"post","link":"http:\/\/78.142.243.82\/~silvercentury\/2017\/09\/the-shadow-box-2\/","title":{"rendered":"The Shadow Box"},"content":{"rendered":"<p><strong>1980, USA, 96 min.<\/strong><\/p>\n<p>In the California woods lies a complex of cabins where the slowly dying and their loved ones spend their remaining days, holding public therapy sessions with a somnolent-voiced interviewer. It\u2019s a controlled, almost sterile environment that radiates calm, but emotional damage accrues. An unappreciated daughter (Melinda Dillon) hides a secret from her senile mother (Sylvia Sidney); an estranged wife (Valerie Harper) longs for the fairly acrimonious past with her now-unflappable husband (James Broderick); and a gay writer (Christopher Plummer), trying to outwrite his mortality, falls into old habits when his blowsy ex-wife (Joanne Woodward) shows up. No matter how we try to demystify death\u2019s imminent arrival, the feelings of those left behind prevent a clean break\u2014and this may not be a bad thing. That message is delivered with nuance and resonance in Paul Newman\u2019s TV movie adaptation of Michael Cristofer\u2019s play.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the California woods lies a complex of cabins where the slowly dying and their loved ones spend their remaining days, holding public therapy sessions with a somnolent-voiced interviewer.<\/p>\n<div class=\"read-more\"><a href=\"http:\/\/78.142.243.82\/~silvercentury\/2017\/09\/the-shadow-box-2\/\">Read more <span class=\"screen-reader-text\">The Shadow Box<\/span><span class=\"meta-nav\"> &#8250;<\/span><\/a><\/div>\n<p><!-- end of .read-more --><\/p>\n","protected":false},"author":1,"featured_media":705,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":null,"_FSMCFIC_featured_image_hide":null,"footnotes":""},"categories":[70],"tags":[],"class_list":["post-1242","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mortality-cinema"],"cc_featured_image_caption":{"caption_text":"","source_text":"","source_url":""},"wps_subtitle":"","_links":{"self":[{"href":"http:\/\/78.142.243.82\/~silvercentury\/wp-json\/wp\/v2\/posts\/1242","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/78.142.243.82\/~silvercentury\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/78.142.243.82\/~silvercentury\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/78.142.243.82\/~silvercentury\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/78.142.243.82\/~silvercentury\/wp-json\/wp\/v2\/comments?post=1242"}],"version-history":[{"count":5,"href":"http:\/\/78.142.243.82\/~silvercentury\/wp-json\/wp\/v2\/posts\/1242\/revisions"}],"predecessor-version":[{"id":4664,"href":"http:\/\/78.142.243.82\/~silvercentury\/wp-json\/wp\/v2\/posts\/1242\/revisions\/4664"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/78.142.243.82\/~silvercentury\/wp-json\/wp\/v2\/media\/705"}],"wp:attachment":[{"href":"http:\/\/78.142.243.82\/~silvercentury\/wp-json\/wp\/v2\/media?parent=1242"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/78.142.243.82\/~silvercentury\/wp-json\/wp\/v2\/categories?post=1242"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/78.142.243.82\/~silvercentury\/wp-json\/wp\/v2\/tags?post=1242"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}