{"id":6203,"date":"2020-08-14T07:31:55","date_gmt":"2020-08-14T11:31:55","guid":{"rendered":"http:\/\/www.silvercentury.org\/?p=6203"},"modified":"2020-08-14T07:31:55","modified_gmt":"2020-08-14T11:31:55","slug":"no-country-for-old-men","status":"publish","type":"post","link":"http:\/\/78.142.243.82\/~silvercentury\/2020\/08\/no-country-for-old-men\/","title":{"rendered":"No Country for Old Men"},"content":{"rendered":"<p><strong>2007, USA, 122 min.<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Retired welder Llewelyn Moss (Josh Brolin) discovers a case filled with $2 million cash in the Texas desert. Moss grabs the money and metaphorically opens the gates of hell. He\u2019s relentlessly pursued by monotone, bowl-cut, sporting hit man Anton Chigurh (the bone-chilling Javier Bardem), who is almost unstoppable. Moss and soon-to-retire sheriff Ed Tom Bell (Tommy Lee Jones), who\u2019s pursuing the case, make their stand in this battle of Old West heroism over indefatigable and relentless malevolence. Director-writers Joel and Ethan Coen\u2019s (<\/span><i><span style=\"font-weight: 400;\">Fargo<\/span><\/i><span style=\"font-weight: 400;\">) rollicking crime movie is also a wistful reminder: heroes get old and die; evil never lags. This indisputable meditative classic\u2014filled with layered, pitch-perfect performances\u2014won four Academy Awards, including Best Picture.&nbsp;<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p><span style=\"font-weight: 400;\">Retired welder Llewelyn Moss discovers a case filled with $2 million cash in the Texas desert. Moss grabs the money and metaphorically opens the gates of hell. <\/span><\/p>\n<div class=\"read-more\"><a href=\"http:\/\/78.142.243.82\/~silvercentury\/2020\/08\/no-country-for-old-men\/\">Read more <span class=\"screen-reader-text\">No Country for Old Men<\/span><span class=\"meta-nav\"> &#8250;<\/span><\/a><\/div>\n<p><!-- end of .read-more --><\/p>\n","protected":false},"author":9,"featured_media":6204,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":null,"_FSMCFIC_featured_image_hide":null,"footnotes":""},"categories":[10,11,70],"tags":[],"class_list":["post-6203","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-cinema","category-mortality-cinema"],"cc_featured_image_caption":{"caption_text":"","source_text":"","source_url":""},"wps_subtitle":"","_links":{"self":[{"href":"http:\/\/78.142.243.82\/~silvercentury\/wp-json\/wp\/v2\/posts\/6203","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/78.142.243.82\/~silvercentury\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/78.142.243.82\/~silvercentury\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/78.142.243.82\/~silvercentury\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"http:\/\/78.142.243.82\/~silvercentury\/wp-json\/wp\/v2\/comments?post=6203"}],"version-history":[{"count":1,"href":"http:\/\/78.142.243.82\/~silvercentury\/wp-json\/wp\/v2\/posts\/6203\/revisions"}],"predecessor-version":[{"id":6205,"href":"http:\/\/78.142.243.82\/~silvercentury\/wp-json\/wp\/v2\/posts\/6203\/revisions\/6205"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/78.142.243.82\/~silvercentury\/wp-json\/wp\/v2\/media\/6204"}],"wp:attachment":[{"href":"http:\/\/78.142.243.82\/~silvercentury\/wp-json\/wp\/v2\/media?parent=6203"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/78.142.243.82\/~silvercentury\/wp-json\/wp\/v2\/categories?post=6203"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/78.142.243.82\/~silvercentury\/wp-json\/wp\/v2\/tags?post=6203"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}